Like many left-wing elitists, "Crockumentary" film maker Michael Moore makes money in the same system which he capitalizes on denigrating.
He is a capitalist exploiter, one who cashes in on the anti-American chic that pervades academia and Hollywood, a wasteland of hyper-equality dedicated to playing up the downtrodden only because they are such.
Rather than balancing out the inherent inequalities in the world, treating the causes of these difference. Freedom is essential to the well-being of mankind, yet freedom can be exploited, rejected, or limited, depending on the powers that be in a nation or
First of all, human nature induces many to believe that every person should profit from the weaknesses of others, yet at the same time every one of us desires as much as possible to be dependent on others. At first, no one inherently desires freedom, at least initially. Rather than allow the limitations of mankind to persist, traditional mores permit youth to grow and incorporate values which enhance their freedom without undoing the needs of others.
Michael Moore and other academic rationalists argue that the traditions of our ancestors, which limited our behavior without initial explanation, are outdated, must be changed in order to benefit those who struggle, who seem worse off. The victimization mentality is popular, and easily persuasive. Yet modern man's attempt to modernize certain conditions creates a veritable hell on earth.
Contrary to the limited vision of elite anarchists like Michael Moore, capitalism has done far more to lift man out of poverty that any other economic system, as long as free markets are left to run their course free of government intervention and private manipulation for public gain. The faux documentary filmmaker lives off of demonizing free markets, yet relies on the free market mechanisms of persuasion, impact, and profit to make his millions, which in turn he invests to stir up class strife and manic hatred to elicit interest in a growing crusade.
This blatant hypocrisy is laughable, even to his hollow claim that he "can't be bought." He has sold out to a left-wing agenda, and he argues that film production companies support his movies because — true to liberal-elitism — they believe that the American people are so stupid, that they have been dumbed done to accept the current economic and political systems as true and unchanging.
In reality, the American public are more savvy than apparent to most intellectuals, so bogged down in their myopic vision of reality that they are absolute "true- believer" convinced that they are right, and that everyone else is wrong. Despite the rampant fabrications, distortions, and omissions in his film making, Moore cannot accept that more people are seeing through his fatuous anti-American, anti-capitalist propaganda. The masses are not deceived nor amused, and the individuals who watch Moore's film-flam flamboyant drivel are buying neither his arguments nor his assertion that he is not rich, not a member of the much-maligned 1%, and not interested but the best interests of his viewers.